TCS 152 TCS 152: new trends in technocultural arts
Meets Tues/Thurs 3:10-4:30 Olsen 207

Instructor: Sarah Lewison
socialsculpture at yahoo dot com

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ASSIGNMENT 1 TECHNOPOETICS DUE OCT 31
Course Forum: Arthropods and Mammals Course Description
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TECHNOPOETICS looking askance at the base material and the machine
TCS 152: New Trends in Technocultural Arts UC Davis Fall 2006 Instructor Sarah Lewison socialsculpture@yahoo.com Assignment 1 Due October 31, 2006 Assignment and links online at www.carbonfarm.us/davis/technop.html technopoetics looking askance at the base material and the machine 4-6 page creative investigation of a technological process, procedure or product Write an essay that examines a specific technology or technological or scientific process from 2 perspectives:

  • Instrumental, scientific, objective, logical, rational: what is the step by step procedure, why it works, why it is being used, who uses it, argument for its need, how it should be
  • Poetic, subjective, opinionated, emotional: who it also affects, what are these materials really, how does it function as social metaphor, what excess (waste) is produced, how it really is, another form of rationality etc.

    ASSIGNMENT OBJECTIVE: Get experience understanding and describing a technical process. Consider how technologies are made invisible or, or how they are naturalized in our society or environment. Use research to develop ideas for material interventions. Develop counter arguments, criticisms and modes or strategies of deconstructing technological fantasies.

    Two steps to this project: 1. Describe or explain a technological process, product, system, structure or event. Your explanatory narrative can be based on any one or all of the following: a) field observation (watch, follow, track-down, investigate) b) interview (talk with people working with the processes) c) print or media research (books, magazines, technical journals, etc) 2. Denaturalize, poeticize, de-construct, de-center, politicize, metaphorize, reverse the subjectivity or otherwise reconstruct your straightforward explanation in such a way that you create another kind of understanding of this technology. 3. caution: try to meld or contrast the steps or perspectives in an interesting way: do not lose the objective material in 1, rather see how they might address or argue or form a dialectic with each other. It can be ordinary; barely noticeable subjects are sometimes the most interesting to think about. Possible subjects: Local canneries, making soup, wine industry (okay to follow through from class introduction). What does the city of Davis do with its waste? Follow trucks and document the disposal process. Where is the water/sewage cleanup process? Medical technologies: Prosthetics, pills and implants: do you know a cyborg? Find a unique approach to explaining this concept. Specifics v. generalities: Write about classes of technologies (such as SSRI¹s and anti-depressants) if you want to discuss their social roles, for example. But it is better to pick as specific a subject as possible, and focus on degrees of scale; how does a small process affect an entire region? (cf; irradiation of tomatoes changing the way they are packed and picked (where does the irradiating source come from? How does it get to the cannery?), or ­ another one-- meth production)

    APPROACHES

  • procedure of production: see How Stuff is Made http://www.howstuffismade.org/ ) Research the production of an object, then enstrange, politicize, metaphorize ETC the process or its implications in your telling.
  • straightforward essay examining a process and its pros and cons, such as Pollan does with ³Potato² or Pentecost with her compilation of CAE information.
  • Approach as cultural historian, ethnologist, or sociologist. (what does this factory produce and how, and thenŠ what is the life of the worker in this factory? The advert?)
  • You can think of this as research leading up to a proposal: what do you think should be seen about this process or technology that isn¹t seen or well known?
  • develop in part as a piece of speculative or science fiction. What if?
  • collaborate with another student (double the pages) or creatively Œoutsource¹ by exchanging your raw field work research proceedings with another student for the creative elaboration.
  • study the technology as a daily commodity or appliance: for this you will really need to do field work research; interviewing subjects, or methodically recording observations (cf: how people use ipods etc). If you do this, make sure you have a good idea of what this kind of field work is, and describe your method as part of your paper.
  • A story or anecdote of a technology being used in a particular way in a particular place: (please research this by interview and field work) see below EXAMPLES AND REFERENCES: by no means exhausted; more on the forum Sarai Reader: Shaping technologies http://www.sarai.net/journal/reader3.html Field work/ story/ anecdote: see The Cell Phone and the Crowd

    Abstraction/Removal of Context: Maquilopolis: by Vickie Funari and Sergio de la Torres: Watch this on Tuesday night Oct 10! See how the makers/subjects perform the movements of factory jobs in a field outside the factory: think of how the meaning of these processes and this work is changed by this treatment which both abstracts the labor, but also gives a deep subjectivity.

    Ethnographic Approaches: Cement and Speed by Michael Taussig: (ethnologist on cement, imperialist intervention, and the interdependency of technologies) www.sarai.net/journal/06_pdf/01/05_michael_taussig.pdf also see My Cocaine Museum http://www.press.uchicago.edu/Misc/Chicago/790096.html Speculative Drama: cf Indistinguishable Fire by Harun Farocki (also base materialism) ³Base materialism² Considering the matter of fact raw materials of technological production: How does the rationality and civility of everyday technological optimism suppress the actual calculus used to measure the value of life? ³the bodily fat of a normally constituted man would suffice to manufacture seven cakes of toilet-soap. Enough iron is found in the organism to make a medium-sized nail, and sugar to sweeten a cup of coffee. The phosphorus would provide 2,200 matches. The magnesium would furnish the light needed to take a photograph. In addition, a little potassium and sulphur, but in an unusable quantity. These different raw materials, costed at current prices, represent an approximate sum of 25 francs.² (Dr. Charles May quoted in Bataille et al, Encylopedia Acephalica, London, Atlas 1995) Textual Readings: interpretations and visual representations of technologies. What kinds of discrepancies are there between an industry (what it does) and how it is publicized? See http://www.sarai.net/journal/reader3.html New Visual Technologies in the Bazaar: Reterritorialisation of the Sacred in Popular Final note: THIS SHOULD BE ORIGINAL RESEARCH AND WRITING. All quoted material to be referenced. Get names and positions of interview subjects, and include all textual and image sources in your last page. WRITE descriptively: working around the need for a picture and attempting to describe the materiality of the thing. If you are looking at a digital technology‹make sure part of your paper deals with its materiality: this assignment is not about virtuality. technology 1615, "discourse or treatise on an art or the arts," from Gk. tekhnologia "systematic treatment of an art, craft, or technique," originally referring to grammar, from tekhno- (see techno-) + -logia. The meaning "science of the mechanical and industrial arts" is first recorded 1859. High technology attested from 1964; short form high-tech is from 1972. Tech as a short form of Technical College (Institute, etc.) is Amer.Eng., attested from 1906.