Links to the Everyday, Cultural Studies, Art, and Writing Tips
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WRITING HELP CORRECT FOOTNOTING
  HELP WITH WRITING (OWL)
 

HOW TO TEST A THESIS STATMENT (credit to Fritz Umbach (History, Cornell U) and Purdue U Online Writing Lab)
  PARSONS WRITING CENTER
   
FINAL PROJECT TIPS WRITING THE STREETS
   
ETYMOLOGY ONLINE http://www.etymonline.com
  http://eleaston.com/ety-site.html#ety
   
BOREDOM Maxim Gorky on Coney Island, 1907
...AS CRITICAL REFUSAL Clash lyrics: Bored in the USA
   
SURREALISM Surrealism Centre
   
 INDEPENDENT FIELD WORK  Zainab Bawa page Bawa assigned essays
   
FREUD The Psychopathology of Everyday Life
   
CULTURAL STUDIES  
Raymond Williams Culture is Ordinary Synopsis
   
ESTRANGEMENT Enstrangement (Bertold Brecht): to highlight things we would not ordinarily see or to use some kind of style that would be invisible itself.
That would be like our daily ‘inattention’ to the everyday, “stripped of inconspicuousness.”
We can consider the style of a work that is supposedly just factual or scientific as part of what we are looking at, ‘making it strange and unfamiliar’ more
SPACES  
 THE GATES Making Art a Big Deal
 STREETS

LINK TO Critical Mass SCORCHER ESSAY
  Poetics of SEcurity: Skateboarding & SURveillance
   
TASTES AND SMELLS why mcdonalds fries taste so good
  flavor and smells
  more on artificial flavoring
   
SITUATIONISTS archive of situationist writings
  Theory of the Derive
   Everything2 Derive
Psychogeography Adventure Art
  Reading the Street and Interventions (CCAC Journal)
   
Objects & Commodity Culture about trash
Technological Development

more on the KITCHEN DEBATES

and more again
   How the Refrigerator got its Hum by Ruth Cowan
   
   
 ONLINE PROJECTS  ? review subjects ?- and LINKS worth looking at
links to ONline Art  MapHub: Shared Urban Storytelling : a project of Carbon Defense League
The World is Our SoundToy

explanation: THE WORLD IS OUR SOUND TOY

exhibition: the world is our sound toy (email me if you need a password to get in)
crickets in the woods- sound Cricket activated Defense System
life for sale shop Mandiberg
 

 

 
************* Some Shows to Review
Commodities The Oil We Eat

 

 
Smell list of resources
Fisher, J. ---- 1997a. "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Marina Abramovic", Art Journal, Winter, 28-33.
CLASSEN, C. 1990a. "Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon." American Ethnologist 17: 722-735.
---- 1990b.  "Aesthetics and Asceticism in Inca Religion," Anthropologica 32, 1: 101-6.
---- 1992.  "The Odour of the Other: Olfactory Symbolism and Cultural Categories," Ethos 20: 133-166.
---- 1993a. Worlds of Sense: Exploring the Senses in History and Across Cultures, London: Routledge.
---- 1993b. Inca Cosmology and the Human Body, Salt Lake City: University of Utah Press
---- 1998. The Color of Angels: Cosmology, Gender and the Aesthetic Imagination. New York: Routledge
CLASSEN, C., HOWES, D. and SYNNOTT, A. 1994.  Aroma: The Cultural History of Smell, London: Routledge.
DROBNICK, J. 1998 "Reveries, Assaults and Evaporating Presences: Olfactory Dimensions in Contemporary Art", Parachute #89, Winter, 10-19
---- 1999. Recipes for the Cube: Aromatic and Edible Practices in Art" in Barbara Fischer, ed., Foodculture. Toronto: YYZ Books
---- 2000. "Volatile Effects: Architecture and Olfaction" in Bernie Miller, ed., Crime and Ornament. Toronto: YYZ Books.
DROBNICK, J. and FISHER, J. 1998. "Perfumativities: Olfactory Dimensions in Contemporary Art", Aroma-Chology Review, 7:1, 1-4
---- 1997. "In the Garden of Nirvana: An Interview with Noritoshi Hirakawa", Parachute #88, Fall, 30-35
FISHER, J. 2000. "Performing Taste" in Barbara Fischer, ed., Foodculture. Toronto: YYZ Books
---- 1999. "Speaking of Display: Audioguides by Sophie Calle, Andrea Fraser and Janet Cardiff", Parachute #94, Spring, 24-31.

---- 1997b. "Relational Sense: Towards a Haptic Aesthetics", Parachute #87, pp. 4-11.
---- 1996.  "Aesthetic Contingencies: Relational Enactments in Display Culture". Ph.D. thesis, Montreal, Concordia University.
FOSS. B. 1989a.  "Industrial Images/Images industrielles", Journal of Canadian Art History 13, 2: 203-7.
---- 1989b. "Memory and Modernity: Italian Art in the 20th Century" Etc Montrél 8
---- 1990. "The Not-So-Innocent Eye", Mimesis, St-Lambert: Musée Marsil.
---- 1994. "The Urban Prairie", Journal of Canadian Art History 16, 1: 96-103.
---- forthcoming.  "War and the Visual Arts", in Handbook of the Literature and Research of World War Two, Greenwood Press.
HELLAND, J. 1989.  "Surrealism and Esoteric Feminism in the Art of Leonora Carrington",  Revue d'art canadienne/Canadian Art Review 16,1: 53-61.
---- 1994.  "The Critics and the Arts and Crafts:  The Instance of Margaret Macdonald and Charles Rennie Mackintosh", Art History 17,2: 205-23.
---- 1996.  The Studios of Frances and Margaret Macdonald, Manchester: Manchester University Press, 1996.
HOWES, D. 1988.  "On the Odour of the Soul: Spatial Representation and Olfactory Classification in Eastern Indonesia and Western Melanesia", Bijdragen Volkenkunde 144: 84-113
---- 1991a.  The Varieties of Sensory Experience. Toronto: University of Toronto Press.
---- 1991b "Olfaction and Transition", in The Varieties of Sensory Experience, 128-47.
---- 1991c "Sense and Non-Sense in Contemporary Ethno/Graphic Practice and Theory", Culture, vol. 11: 65--76.
 
HOWES, D. and  CLASSEN, C. 1991. "Sounding Sensory Profiles".  In The Varieties of Sensory Experience, 257-88.
---- 1996. "Making Sense of Culture: Anthopology as Sensual Experience, Etnofoor 9, 2
SYNNOTT, A. 1990.  "The Beauty Mystique: Ethics and Aesthetics in the Bond Genre", The International Journal of Politics, Culture and Society, 3,3: 407-26.
---- 1991a.  "A Sociology of Smell", The Canadian Review of Sociology and Anthropology, 28,4: 437-59.
---- 1991b.  "Puzzling Over the Senses: From Plato to Marx", in The Varieties of Sensory Experience, D. Howes ed., Toronto: University of Toronto Press, 61-76.
---- 1993. The Body Social, London: Routledge.